Nicholas Tochka writes about the politics of postwar music-making in Eastern Europe and the Americas. In 2016, Oxford University Press published his first book, Audible States: Socialist Politics and Popular Music in Socialist Albania. He is currently completing one project on citizenship in postsocialist Europe, and another about the invention of the Sixties in the United States. He works at the Conservatorium of Music, the University of Melbourne in Australia, and plays both bass and guitar.
