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German Philosophy: A Very Short Introduction

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German philosophy remains the core of modern philosophy. Without Kant, Frege, Wittgenstein, and Husserl there would be no Anglo-American 'analytical' style of philosophy. Moreover, without Kant, Hegel, Marx, Nietzsche, and Heidegger, the 'Continental Philosophy' of Derrida, Foucault, Deleuze, Badiou, and Zizek, which has had major effects on humanities subjects in recent years, is incomprehensible. Knowledge of German philosophy is, then, an indispensable prerequisite of theoretically informed study in the humanities as a whole.

German Philosophy: A Very Short Introduction discusses the idea that German philosophy forms one of the most revealing responses to the problems of 'modernity'. The rise of the modern natural sciences and the related decline of religion raises a series of questions, which recur throughout German philosophy, concerning the relationships between knowledge and faith, reason and emotion, and scientific, ethical, and artistic ways of seeing the world.

There are also many significant philosophers who are generally neglected in most existing English-language treatments of German philosophy, which tend to concentrate on the canonical figures. This Very Short Introduction will include reference to these thinkers and suggests how they can be used to question more familiar German philosophical thought.

Συγγραφέας: Bowie Andrew
Εκδότης: OXFORD UNIVERSITY PRESS
Σελίδες: 137
ISBN: 9780199569250
Εξώφυλλο: Μαλακό Εξώφυλλο
Αριθμός Έκδοσης: 1
Έτος έκδοσης: 2010

Introduction
1: Kant and Modernity
2: The Linguistic Turn
3: German Idealism
4: 'Early Romantic' Philosophy
5: Marx
6: Nietzsche, Schopenhauer, and the 'Death of God'
7: Phenomenology, and the second 'Linguistic Turn'
8: 'Critical Theory'
Conclusion

Andrew Bowie is Emeritus Professor of Philosophy and German, Royal Holloway University of London. He has published very widely on Philosophy, and musical and literary topics, including German Philosophy: A Very Short Introduction (2010); Philosophical Variations: Music as Philosophical Language (2010); and Adorno and the Ends of Philosophy (2013).

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