Προσθήκη στα αγαπημένα
It has roots beneath consciousness and is expressed in moods, rhythms, tones and textures of experience that are as much mental as physiological. In his new book, a sequel to the earlier Unbelievable, one of Britain's most exciting writers on religion here presents a nuanced and many-dimensional portrait of the mystery and creativity of the human imagination. Discussing the likes of William Wordsworth, William Turner, Samuel Palmer and Ralph Vaughan Williams, so as to assess the true meanings of originality and memory, and drawing on his own rich encounters with belief, Graham Ward asks why it is that the imagination is so fundamental to who and what we are. Using metaphor and story to unpeel the hidden motivations and architecture of the mind, the author grapples with profound questions of ultimacy and transcendence. He reveals that, in understanding what it really means to be human, what cannot be imagined invariably means as much as what can.
Περιγραφή
It has roots beneath consciousness and is expressed in moods, rhythms, tones and textures of experience that are as much mental as physiological. In his new book, a sequel to the earlier Unbelievable, one of Britain's most exciting writers on religion here presents a nuanced and many-dimensional portrait of the mystery and creativity of the human imagination. Discussing the likes of William Wordsworth, William Turner, Samuel Palmer and Ralph Vaughan Williams, so as to assess the true meanings of originality and memory, and drawing on his own rich encounters with belief, Graham Ward asks why it is that the imagination is so fundamental to who and what we are. Using metaphor and story to unpeel the hidden motivations and architecture of the mind, the author grapples with profound questions of ultimacy and transcendence. He reveals that, in understanding what it really means to be human, what cannot be imagined invariably means as much as what can.
