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Music: Why It Matters

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As countries went into lockdown in 2020, many people turned to music for comfort and solidarity. In Verona, neighbours sang to each other from their balconies; across the world, people participated in online music listening sessions that created an experience of socially distanced togetherness.

World-leading musicologist Nicholas Cook argues that the value of music goes far beyond simple enjoyment. Making and listening to music can enhance well-being, interpersonal relationships, cultural tolerance, and civil cohesion. At the same time, music can be a tool of persuasion or ideology: the ‘musical’ qualities of political oratory, for example, elevate emotional belief over rational judgement. Thinking about music helps bring into focus the deeply embedded values that are mobilized in today’s culture wars, and that contribute to a prevailing sense of crisis. Making music together builds fine-grained relationships of interdependence and trust: rather than utopian escapism, it offers a blueprint for a better community, one of mutual obligation and interdependence.

Music: Why It Matters is for anyone who loves playing, listening to, or thinking about music, as well as those pursuing it as a career.

Author: Cook Nicholas
Publisher: POLITY PRESS
Pages: 176
ISBN: 9781509542406
Cover: Paperback
Edition Number: 1
Release Year: 2023

Acknowledgements

or maybe it doesn’t?                 
music for good or ill
ideology in disguise
music, race, colonialism
after BLM
music and asocial individualism
music, nostalgia, delusion
music and administered society
musical togetherness
music, covid, ethics
pandemic intimacy

Notes
Further Reading

Nicholas Cook is Emeritus Professor of Music at the University of Cambridge. He has published widely across many fields of music studies; his book The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna (2007) won the SMT's Wallace Berry Award, while his most recent book is Music as Creative Practice (2018). Director of the AHRC Research Centre for the History and Analysis of Music (CHARM) from 2004-9, he was elected Fellow of the British Academy in 2001 and holds a Doctorate of Humane Letters from the University of Chicago.

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