Revolution in Poetic Language

Translator's Preface
Introduction, by Leon S. Roudiez
Prolegomenon
Part I. The Semiotic and the symbolic
1. The Phenomenological Subject of Enunciation
2. The Semiotic Chora Ordering the Drives
3. Husserl's Hyletic Meaning: A Natural Thesis
4. Hjelmslev's Presupposed Meaning
5. The Thetic: Rupture and/or Boundary
6. The Mirror and Castration Positing the Subject as Absent from the Signifier
7. Frege's Notion of Signification: Enunciation and Denotation
8. Breaching the Thetic: Mimesis
9. The Unstable Symbolic. Substitutions in the Symbolic: Fetishism
10. The Signifying Process
11. Poetry That is Not a Form of Murder
12. Genotext and Phenotext
13. Four Signifying Practices
Part II. Negativity: Rejection
14. The Fourth "Term" of the Dialectic
15. Independent and Subjugated "Force" in Hegel
16. Negativity as Transversal to Thetic Judgment
17. "Kinesis," "Cura," "Desire"
18. Humanitarian Desire
19. Non-Contradiction Neutral Peace
20. Freud's Notion of Expulsion Rejection
Part III. Heterogeneity
21. The Dichotomy and Heteronomy of Drives
22. Facilitation, Stasis, and the Thetic Moment
23. The Homological Economy of the Representamen
24. Through the Principle of Language
25. Skepticism and Nihilism in Hegel and in the Text
Part IV. Practice
26. Experience Is Not Practice
27. The Atomistic Subject of Practice in Marxism
28. Calling Back Rupture within Practice: Experience-in-Practice
29. The Text as Practice, Distinct from Transference Discourse
30. The Second Overturning of the Dialectic after Political Economy, Aesthetics
31. Madoror and Poems, Laughter as Practice
32. The Expenditure of a Logical Conclusion: Igitur
Notes
Index

Julia Kristeva is professor emerita of linguistics at the Université de Paris VII and author of many acclaimed works. Her Columbia University Press books include Hatred and Forgiveness (2012); The Severed Head: Capital Visions (2014); and, with Philippe Sollers, Marriage as a Fine Art (2016).

Lawrence D. Kritzman is Pat and John Rosenwald Research Professor in the Arts and Sciences and professor of French and comparative literature at Dartmouth College. He is the author of The Fabulous Imagination: On Montaigne’s Essays (2012) and editor of the Columbia History of Twentieth-Century French Thought (2006) and the Columbia University Press series European Perspectives.

Constance Borde and Sheila Malovany-Chevallier live and work in Paris, France. They are the translators of The Second Sex, by Simone de Beauvoir.